Esthetic Analysis |
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Pagina 151
And as there is no clearly defined present . object felt , so there is no clearly defined single feeling experienced , but a welter of successive transitory feelings only very slightly defined separately and not integrated into any one ...
And as there is no clearly defined present . object felt , so there is no clearly defined single feeling experienced , but a welter of successive transitory feelings only very slightly defined separately and not integrated into any one ...
Pagina 154
Artistic technique consists in clarifying feelings by means of such operations , completing in external structural form an apprehensible content . ... The point is simply that a feeling is never the feeling of nothing .
Artistic technique consists in clarifying feelings by means of such operations , completing in external structural form an apprehensible content . ... The point is simply that a feeling is never the feeling of nothing .
Pagina 155
Significant ęsthetic objects , such as artists are concerned to make and other human beings to appreciate , are on the one hand single qualitative feelings given in apprehension . On the other hand , they are intricate and coherent ...
Significant ęsthetic objects , such as artists are concerned to make and other human beings to appreciate , are on the one hand single qualitative feelings given in apprehension . On the other hand , they are intricate and coherent ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface syllables systematic taken temporal pattern things tion Tonic variations various verse vibration whole