Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 55
Pagina 151
... feeling ex- perienced , but a welter of successive transitory feelings only very slightly defined separately and not integrated into any one defined object of attention . We get relief from such a condition in mild cases by physical ...
... feeling ex- perienced , but a welter of successive transitory feelings only very slightly defined separately and not integrated into any one defined object of attention . We get relief from such a condition in mild cases by physical ...
Pagina 154
... feeling is never the feeling of nothing . We feel what we feel , or we do not feel at all . And what we feel , since we are conscious beings , is sen- suously qualitied content . Such content a toothache or vague boredom has , as truly ...
... feeling is never the feeling of nothing . We feel what we feel , or we do not feel at all . And what we feel , since we are conscious beings , is sen- suously qualitied content . Such content a toothache or vague boredom has , as truly ...
Pagina 155
... feeling , consciously requiring this embodiment to become com- pletely and intelligibly any feeling at all , to become the in- tended full feeling only suggested in the artist's processes of experience and not defined until he has ...
... feeling , consciously requiring this embodiment to become com- pletely and intelligibly any feeling at all , to become the in- tended full feeling only suggested in the artist's processes of experience and not defined until he has ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words