Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 52
Pagina 9
... felt to be achieved in a vital process of receiv- ing ; when , to use Mr. Dewey's own terms , our doing has its own felt consummation , comes to its own realized fruition , not beyond the immediately present but in a direct undergoing ...
... felt to be achieved in a vital process of receiv- ing ; when , to use Mr. Dewey's own terms , our doing has its own felt consummation , comes to its own realized fruition , not beyond the immediately present but in a direct undergoing ...
Pagina 100
... felt as definite durations , recognizable , rememberable , felt temporal lengths . For any temporal pattern at all , then , we require a relatively short measure , indicated to attention at both ends , and so involving its own ...
... felt as definite durations , recognizable , rememberable , felt temporal lengths . For any temporal pattern at all , then , we require a relatively short measure , indicated to attention at both ends , and so involving its own ...
Pagina 112
... felt as specific temporal lengths temporally related , than the rigorously measured temporal patterns of musical composition . But there can hardly be any question as to there being a clearly felt temporal pattern in verse in just the ...
... felt as specific temporal lengths temporally related , than the rigorously measured temporal patterns of musical composition . But there can hardly be any question as to there being a clearly felt temporal pattern in verse in just the ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate ęsthetic analysis ęsthetic content ęsthetic objects ęsthetic surface ęsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words