Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 40
Pagina 5
... field of the asthetic . But this appears to be the whole field of human expe- rience , the whole world as directly felt . It is simply the ex- ternal world , including our own bodies , inside and out , that begins to dawn on us in ...
... field of the asthetic . But this appears to be the whole field of human expe- rience , the whole world as directly felt . It is simply the ex- ternal world , including our own bodies , inside and out , that begins to dawn on us in ...
Pagina 11
... field , no doubt ; but it would be to neglect exactly the field that we have already been at pains to indicate as offering us the data of asthetics proper . An organism in nature , interacting within natural process , that is to say an ...
... field , no doubt ; but it would be to neglect exactly the field that we have already been at pains to indicate as offering us the data of asthetics proper . An organism in nature , interacting within natural process , that is to say an ...
Pagina 43
... field . But it will be no disad- vantage to our knowledge in general that the distinction between this field and that of physics on the one hand and of psychology on the other will not be a mere otherness but the boundary line of ...
... field . But it will be no disad- vantage to our knowledge in general that the distinction between this field and that of physics on the one hand and of psychology on the other will not be a mere otherness but the boundary line of ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate ęsthetic analysis ęsthetic content ęsthetic objects ęsthetic surface ęsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words