Esthetic Analysis |
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Risultati 1-3 di 40
Pagina 5
Not beauty only but also the æsthetically unsatisfactory ; not the beauty or ugliness of the arts alone , but the whole panorama presented to us through our senses , the surface of our experienced world , is the field of the æsthetic .
Not beauty only but also the æsthetically unsatisfactory ; not the beauty or ugliness of the arts alone , but the whole panorama presented to us through our senses , the surface of our experienced world , is the field of the æsthetic .
Pagina 11
This would be cultivating an important field , no doubt ; but it would be to neglect exactly the field that we have already been at pains to indicate as offering us the data of æsthetics proper . An organism in nature , interacting ...
This would be cultivating an important field , no doubt ; but it would be to neglect exactly the field that we have already been at pains to indicate as offering us the data of æsthetics proper . An organism in nature , interacting ...
Pagina 43
For psychological analysis is not of the qualitative field as presented but of its conditions in organic response . The correlation is plain , as is also the correlation to physical conditions . But what we have to find is analytic ...
For psychological analysis is not of the qualitative field as presented but of its conditions in organic response . The correlation is plain , as is also the correlation to physical conditions . But what we have to find is analytic ...
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Parole e frasi comuni
abstract accent actual adequate æsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface syllables systematic taken temporal pattern things tion Tonic variations various verse vibration whole