Esthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 25
Pagina 54
Space and time have become purely formal as we have realized their abstractness in systematic analysis . There are no real but only nominal elements of space and time . But it takes very little meditation on the nature of pitch and hue ...
Space and time have become purely formal as we have realized their abstractness in systematic analysis . There are no real but only nominal elements of space and time . But it takes very little meditation on the nature of pitch and hue ...
Pagina 165
And while much of this character depends on formal sensuous elements as such , the very nature of these forms , so often derived from nature and human experience , brings into art the nonformal significance attached to the same forms in ...
And while much of this character depends on formal sensuous elements as such , the very nature of these forms , so often derived from nature and human experience , brings into art the nonformal significance attached to the same forms in ...
Pagina 176
... on through the manifold perverse possibilities of adolescence , the adjustments of social life , including those of marriage , and the whole range of educating influences , formal and accidental , physical and intellectual .
... on through the manifold perverse possibilities of adolescence , the adjustments of social life , including those of marriage , and the whole range of educating influences , formal and accidental , physical and intellectual .
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Parole e frasi comuni
abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface syllables systematic taken temporal pattern things tion Tonic variations various verse vibration whole