Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 25
Pagina 54
... formal nature in the same way from sound and color , these latter become purely formal too . It is the lack of full attention to what we mean by color contrast itself , as distinguished from the spatial presentation of such con- trast ...
... formal nature in the same way from sound and color , these latter become purely formal too . It is the lack of full attention to what we mean by color contrast itself , as distinguished from the spatial presentation of such con- trast ...
Pagina 165
... formal sensuous elements as such , the very nature of these forms , so often derived from nature and human experience , brings into art the non- formal significance attached to the same forms in nature and in life . The brightness or ...
... formal sensuous elements as such , the very nature of these forms , so often derived from nature and human experience , brings into art the non- formal significance attached to the same forms in nature and in life . The brightness or ...
Pagina 176
... formal and accidental , physical and intellectual . We should not expect like responses to like objects from unlike or- ganisms , any more than we should expect litmus paper to remain blue in an acid solution because it is blue in a ...
... formal and accidental , physical and intellectual . We should not expect like responses to like objects from unlike or- ganisms , any more than we should expect litmus paper to remain blue in an acid solution because it is blue in a ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words