Esthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 26
Pagina 6
Ęsthetic surface is concretely had , directly and fully experienced . It is not merely distinguished by one of the senses , but felt emotionally in its full present character . But so far as it is ęsthetic content , it is not more than ...
Ęsthetic surface is concretely had , directly and fully experienced . It is not merely distinguished by one of the senses , but felt emotionally in its full present character . But so far as it is ęsthetic content , it is not more than ...
Pagina 20
Rather it goes beyond because it is not competent to apprehend the presented surface fully and determinately , and hence richly and excitingly . It is not full enough or discriminating enough to find in the immediately present content ...
Rather it goes beyond because it is not competent to apprehend the presented surface fully and determinately , and hence richly and excitingly . It is not full enough or discriminating enough to find in the immediately present content ...
Pagina 164
They are not fully heard but heard through . And we gather and remember their meaning accurately without at all remembering the words themselves . In fact , to put our attention so fully on the phrases used as to remember them instead ...
They are not fully heard but heard through . And we gather and remember their meaning accurately without at all remembering the words themselves . In fact , to put our attention so fully on the phrases used as to remember them instead ...
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Parole e frasi comuni
abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface syllables systematic taken temporal pattern things tion Tonic variations various verse vibration whole