Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 26
Pagina 147
... function of themselves but as em- ployed by the organic mind , and which do not function separately from one another . With no response , no direct- ing interest and attention , nothing is given at all , as we saw clearly at the ...
... function of themselves but as em- ployed by the organic mind , and which do not function separately from one another . With no response , no direct- ing interest and attention , nothing is given at all , as we saw clearly at the ...
Pagina 165
... function itself of elements and patterns is modified by their expressive function ; for their expressive function cannot be exercised except formally . Everything comy in a concrete work of art is formal at one RELEVANCE THROUGH ...
... function itself of elements and patterns is modified by their expressive function ; for their expressive function cannot be exercised except formally . Everything comy in a concrete work of art is formal at one RELEVANCE THROUGH ...
Pagina 169
... function of asthetic theory itself . The danger is , of course , that , failing to get any direct total effect , we insist on applying our analytical elements and relations and patterns as they might constitute some pre- conceived ...
... function of asthetic theory itself . The danger is , of course , that , failing to get any direct total effect , we insist on applying our analytical elements and relations and patterns as they might constitute some pre- conceived ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words