Esthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 29
Pagina 147
... by the organic mind , and which do not function separately from one another . With no response , no directing interest and attention , nothing is given at all , as we saw clearly at the beginning . But obviously feeling is given .
... by the organic mind , and which do not function separately from one another . With no response , no directing interest and attention , nothing is given at all , as we saw clearly at the beginning . But obviously feeling is given .
Pagina 165
The formal function itself of elements and patterns is modified by their expressive function ; for their expressive function cannot be exercised except formally . Everything cery ? a a in a concrete work of art is formal at one ...
The formal function itself of elements and patterns is modified by their expressive function ; for their expressive function cannot be exercised except formally . Everything cery ? a a in a concrete work of art is formal at one ...
Pagina 169
And this would seem to be the function of ęsthetic theory itself . The danger is , of course , that , failing to get any direct total effect , we insist on applying our analytical elements and relations and patterns as they might ...
And this would seem to be the function of ęsthetic theory itself . The danger is , of course , that , failing to get any direct total effect , we insist on applying our analytical elements and relations and patterns as they might ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface syllables systematic taken temporal pattern things tion Tonic variations various verse vibration whole