AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 53
Pagina 2
If the analysis is sound , it will give us a sense of genuine intimacy with what this
perspective includes . It will be a map to help make us less strangers in one part
of the world that we inhabit , less at a loss in the face of at least one aspect of ...
If the analysis is sound , it will give us a sense of genuine intimacy with what this
perspective includes . It will be a map to help make us less strangers in one part
of the world that we inhabit , less at a loss in the face of at least one aspect of ...
Pagina 130
To give an adequate number of examples of the contention here as to the
structure of verse in English , would be to cite most of English poetry . But
perhaps the conventional description of ballad metre as contrasted with its actual
temporal ...
To give an adequate number of examples of the contention here as to the
structure of verse in English , would be to cite most of English poetry . But
perhaps the conventional description of ballad metre as contrasted with its actual
temporal ...
Pagina 182
If unity is to give us satisfaction in art , it will be because it unifies something . It is
the variety that is held together in it that gives it any concrete content at all , any
actual being . The absolutely unitary is nothing . Nothing actual is unified except ...
If unity is to give us satisfaction in art , it will be because it unifies something . It is
the variety that is held together in it that gives it any concrete content at all , any
actual being . The absolutely unitary is nothing . Nothing actual is unified except ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface syllables systematic taken temporal pattern things tion Tonic variations various verse vibration whole