Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 41
Pagina 6
... given through sense , but called up in relation to something that we want to do or to have somewhere else or at some ... given surface to some ulterior purpose , practical or theoretical , or whether on the con- trary we dwell directly ...
... given through sense , but called up in relation to something that we want to do or to have somewhere else or at some ... given surface to some ulterior purpose , practical or theoretical , or whether on the con- trary we dwell directly ...
Pagina 83
... given first of the intrinsically qualitative orders , and then of one selected qualitative pattern , viz . , the musical scale , it is safe enough to go on to basic patterns in the more regularly recognized kinds of intelligible form ...
... given first of the intrinsically qualitative orders , and then of one selected qualitative pattern , viz . , the musical scale , it is safe enough to go on to basic patterns in the more regularly recognized kinds of intelligible form ...
Pagina 147
... given ( though given only condition that there is the specific response as one of its conditions ) . Response is of the whole organism unanæs- thetized , whether it is to be called spirit or body using its senses , which do not function ...
... given ( though given only condition that there is the specific response as one of its conditions ) . Response is of the whole organism unanæs- thetized , whether it is to be called spirit or body using its senses , which do not function ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words