Esthetic Analysis |
Dall'interno del libro
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Pagina 28
It is often supposed that great artists are not endowed with mind so much as with a spirit which directly externalizes itself , and that other human spirits , by virtue of their innate humanity , can grasp the spiritual essence thus ...
It is often supposed that great artists are not endowed with mind so much as with a spirit which directly externalizes itself , and that other human spirits , by virtue of their innate humanity , can grasp the spiritual essence thus ...
Pagina 31
But its aim is intimacy with immediate content at once sensuous and structural , readiness of grasp in this broad qualitative field . Æsthetics will no more teach us how to write poetry than how to build houses .
But its aim is intimacy with immediate content at once sensuous and structural , readiness of grasp in this broad qualitative field . Æsthetics will no more teach us how to write poetry than how to build houses .
Pagina 39
But if we are to deal with sounds in music , whether to compose or merely to hear a simple melody , we must grasp pitch relations . The grasp of them at the minimum appears perception , not conceptual understanding .
But if we are to deal with sounds in music , whether to compose or merely to hear a simple melody , we must grasp pitch relations . The grasp of them at the minimum appears perception , not conceptual understanding .
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Parole e frasi comuni
abstract accent actual adequate æsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface syllables systematic taken temporal pattern things tion Tonic variations various verse vibration whole