Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 35
Pagina 137
... Hence their relation is itself related to all the other relations in the series , and , as concretely exhibited , becomes necessarily and for direct apprehension a constituent of a structure when any other such elements are selected and ...
... Hence their relation is itself related to all the other relations in the series , and , as concretely exhibited , becomes necessarily and for direct apprehension a constituent of a structure when any other such elements are selected and ...
Pagina 143
... Hence its emo- tional character , its feeling , that is , the way it feels to us , is no less genuinely " objective " than its colors or its sounds , its shapes , its hardness , its presented spread and size ; hence also no less ...
... Hence its emo- tional character , its feeling , that is , the way it feels to us , is no less genuinely " objective " than its colors or its sounds , its shapes , its hardness , its presented spread and size ; hence also no less ...
Pagina 176
... hence that science is a general possession . Esthetics , like all other knowledge , makes its generalizations on the as- sumption that human organisms in perceptual - affective response are not totally various , but largely alike ...
... hence that science is a general possession . Esthetics , like all other knowledge , makes its generalizations on the as- sumption that human organisms in perceptual - affective response are not totally various , but largely alike ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words