Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 50
Pagina 61
... human organisms is very great indeed . For this world was not created , after all , under the guidance of human purposes so as to be transparently intelligible to men . But this great difficulty should not blind us to the satisfaction ...
... human organisms is very great indeed . For this world was not created , after all , under the guidance of human purposes so as to be transparently intelligible to men . But this great difficulty should not blind us to the satisfaction ...
Pagina 89
... human arms in general to the height of human beings in general , within the propor- tions , that is , of a defined norm . The proportions in the Greek canon were not those of the Egyptian canon . Polyclitus , whose lance - bearer was ...
... human arms in general to the height of human beings in general , within the propor- tions , that is , of a defined norm . The proportions in the Greek canon were not those of the Egyptian canon . Polyclitus , whose lance - bearer was ...
Pagina 157
... human body . The content , then , when we are presented with such shapes , natural or useful , is directly seen and ... human dwelling place , warm with human comfort and affection , or bleak in abandonment , or sad in decay , or ...
... human body . The content , then , when we are presented with such shapes , natural or useful , is directly seen and ... human dwelling place , warm with human comfort and affection , or bleak in abandonment , or sad in decay , or ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words