Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 3
Pagina 110
... iambs and trochees and dactyls , or to tetrameters and pentameters , we shall do best to take first some ordinary English words , then some sequences of words , and then some familiar English verse IIO ÆSTHETIC ANALYSIS.
... iambs and trochees and dactyls , or to tetrameters and pentameters , we shall do best to take first some ordinary English words , then some sequences of words , and then some familiar English verse IIO ÆSTHETIC ANALYSIS.
Pagina 125
... iambs are not of this sort . From our scheme it is plain enough that neither iamb nor trochee properly names any actual unit of the temporal pattern of blank verse , for example , where prosodists con- stantly employ the notion of ...
... iambs are not of this sort . From our scheme it is plain enough that neither iamb nor trochee properly names any actual unit of the temporal pattern of blank verse , for example , where prosodists con- stantly employ the notion of ...
Pagina 130
... iambs . What is mainly misrepresentative in this de- scription is the suggestion that the lines differ in length temporally and hence rhythmically . A simple check by means of any ordinary reading of the stanzas will show at Besees once ...
... iambs . What is mainly misrepresentative in this de- scription is the suggestion that the lines differ in length temporally and hence rhythmically . A simple check by means of any ordinary reading of the stanzas will show at Besees once ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words