Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 37
Pagina 40
... indicated ways , that our scheme of them may represent the dis- cerned order of their actual nature and therefore be directed their actual ways of entering into structures as con- upon stituents . This is assuming two points about ...
... indicated ways , that our scheme of them may represent the dis- cerned order of their actual nature and therefore be directed their actual ways of entering into structures as con- upon stituents . This is assuming two points about ...
Pagina 100
... indicated to attention at both ends , and so involving its own recurrence . So much for the basic fact of a fundamental measure in any sort of temporal pattern . What now of the other aspect of this pattern indicated by the word number ...
... indicated to attention at both ends , and so involving its own recurrence . So much for the basic fact of a fundamental measure in any sort of temporal pattern . What now of the other aspect of this pattern indicated by the word number ...
Pagina 108
... indicate clearly anything about the general nature of temporal pat- tern in music , except that there must be fixed ... indicated and some subdivision of it , not merely by the notation but to the ear . But we have already seen that the ...
... indicate clearly anything about the general nature of temporal pat- tern in music , except that there must be fixed ... indicated and some subdivision of it , not merely by the notation but to the ear . But we have already seen that the ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate ęsthetic analysis ęsthetic content ęsthetic objects ęsthetic surface ęsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words