Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 19
Pagina 161
... individual interest in the world , so that he feels par- ticular aspects of it as more exciting than others , as all of us do . But unless he commands a medium and a technique in such a way as to select elements and combine them into an ...
... individual interest in the world , so that he feels par- ticular aspects of it as more exciting than others , as all of us do . But unless he commands a medium and a technique in such a way as to select elements and combine them into an ...
Pagina 184
... individual feeling , originating in the artist , to be externalized . Unless in the process of externalization , which is the actual constituting of the feeling deter- minately , the artist uses sensuous elements with a con- sciousness ...
... individual feeling , originating in the artist , to be externalized . Unless in the process of externalization , which is the actual constituting of the feeling deter- minately , the artist uses sensuous elements with a con- sciousness ...
Pagina 192
... individual satis- faction , as well as individual expression , in concrete tech- nical completion . When sculpture is free expression , how- ever , what is expressed comes out only by virtue of the underlying structural orientation of ...
... individual satis- faction , as well as individual expression , in concrete tech- nical completion . When sculpture is free expression , how- ever , what is expressed comes out only by virtue of the underlying structural orientation of ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words