Esthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 19
Pagina 161
He has the world of nature and human experience to feel about him , and he has his own individual interest in the world , so that he feels particular aspects of it as more exciting than others , as all of us do .
He has the world of nature and human experience to feel about him , and he has his own individual interest in the world , so that he feels particular aspects of it as more exciting than others , as all of us do .
Pagina 184
But of course the only authentic motive for artistic composition is individual feeling , originating in the artist , to be externalized . Unless in the process of externalization , which is the actual constituting of the feeling ...
But of course the only authentic motive for artistic composition is individual feeling , originating in the artist , to be externalized . Unless in the process of externalization , which is the actual constituting of the feeling ...
Pagina 192
... to the determinate contours of a particular figure , there was still room , however , for some degree of imaginative play and for some individual satisfaction , as well as individual expression , in concrete technical completion .
... to the determinate contours of a particular figure , there was still room , however , for some degree of imaginative play and for some individual satisfaction , as well as individual expression , in concrete technical completion .
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Parole e frasi comuni
abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface syllables systematic taken temporal pattern things tion Tonic variations various verse vibration whole