Esthetic Analysis |
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Risultati 1-3 di 40
Pagina 74
16 With the exception of 16 % , these are the actual ratios of the vibration rates of the pitches marking the intervals of our scale . If 1 is do , % is re , 54 mi , and so through the eight degrees . And the 10 % was for a long time ...
16 With the exception of 16 % , these are the actual ratios of the vibration rates of the pitches marking the intervals of our scale . If 1 is do , % is re , 54 mi , and so through the eight degrees . And the 10 % was for a long time ...
Pagina 75
that intervals may be differently related and grouped , that smaller or larger intervals exclusively would serve the purposes of melody and hence of harmony ( any two notes at a given melodic interval necessarily define that interval ...
that intervals may be differently related and grouped , that smaller or larger intervals exclusively would serve the purposes of melody and hence of harmony ( any two notes at a given melodic interval necessarily define that interval ...
Pagina 111
But in traditional western music , pitch is regularly a matter not only of distinct measured intervals but of the relations of intervals to one another in a system centering on a key - note . It is a pattern of pitch which can be ...
But in traditional western music , pitch is regularly a matter not only of distinct measured intervals but of the relations of intervals to one another in a system centering on a key - note . It is a pattern of pitch which can be ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface syllables systematic taken temporal pattern things tion Tonic variations various verse vibration whole