Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 39
Pagina 74
... intervals of our scale . If is do , % is re , 4 mi , and so through the eight degrees . And the 1 % was for a long time , as we noted above ... intervals , that intervals may be differently related and grouped , that 74 ÆSTHETIC ANALYSIS.
... intervals of our scale . If is do , % is re , 4 mi , and so through the eight degrees . And the 1 % was for a long time , as we noted above ... intervals , that intervals may be differently related and grouped , that 74 ÆSTHETIC ANALYSIS.
Pagina 75
David Wight Prall. that intervals may be differently related and grouped , that smaller or larger intervals exclusively would serve the pur- poses of melody and hence of harmony ( any two notes at a given melodic interval necessarily ...
David Wight Prall. that intervals may be differently related and grouped , that smaller or larger intervals exclusively would serve the pur- poses of melody and hence of harmony ( any two notes at a given melodic interval necessarily ...
Pagina 111
... intervals nor in relations of intervals to one another in a system . Pitch of course helps to constitute so - called accent both in music and in verse . But high and low pitch in speech lie in a narrower range than in music , the ...
... intervals nor in relations of intervals to one another in a system . Pitch of course helps to constitute so - called accent both in music and in verse . But high and low pitch in speech lie in a narrower range than in music , the ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words