AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 23
Pagina 53
And these intrinsic properties of all spatial elements lend themselves to structure ,
carry structure in their very nature . But without visually perceptible , that is to say
colored , area , no spatial pattern can be sensuously present . Even figures in ...
And these intrinsic properties of all spatial elements lend themselves to structure ,
carry structure in their very nature . But without visually perceptible , that is to say
colored , area , no spatial pattern can be sensuously present . Even figures in ...
Pagina 56
sound and intrinsic to color . We have spoken of spatial and temporal orders as
intrinsic to elements that are spatial and temporal . And we have noticed that for
actual concretely apparent surfaces for ear and eye we require spatiotemporal ...
sound and intrinsic to color . We have spoken of spatial and temporal orders as
intrinsic to elements that are spatial and temporal . And we have noticed that for
actual concretely apparent surfaces for ear and eye we require spatiotemporal ...
Pagina 184
For these relations , being intrinsic to the elements , will of necessity appear in his
work and make up its actual character . But the materials an artist works with
include vast ranges of patterns already known through their previous exhibition in
...
For these relations , being intrinsic to the elements , will of necessity appear in his
work and make up its actual character . But the materials an artist works with
include vast ranges of patterns already known through their previous exhibition in
...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface syllables systematic taken temporal pattern things tion Tonic variations various verse vibration whole