Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 35
Pagina 113
... least one aspect of musical rhythm clearly , so the making out of the strictly temporal aspect of verse as measured and numbered should be a clarification of at least part of what is called verse rhythm . Those who speak of a rhythm of ...
... least one aspect of musical rhythm clearly , so the making out of the strictly temporal aspect of verse as measured and numbered should be a clarification of at least part of what is called verse rhythm . Those who speak of a rhythm of ...
Pagina 125
... least of great im- portance , viz . , abstract temporal pattern itself , in order to make the nature of at least this one aspect plain . As to the count of three instead of two in the first level of the grouping of beats in English ...
... least of great im- portance , viz . , abstract temporal pattern itself , in order to make the nature of at least this one aspect plain . As to the count of three instead of two in the first level of the grouping of beats in English ...
Pagina 158
... least likely to have been the æsthetic content presented to trained vision . They took the picture as a presentation , clearly indicated in ob- vious and recognizable features , of the human nexus of their own religious faith , not as ...
... least likely to have been the æsthetic content presented to trained vision . They took the picture as a presentation , clearly indicated in ob- vious and recognizable features , of the human nexus of their own religious faith , not as ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words