Esthetic Analysis |
Dall'interno del libro
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Pagina 36
In color we distinguish hue from brightness , as in extension we distinguish breadth from length . No color is presented concretely without extension . No presented visual surface lacks two spatial dimensions , as no physical object ...
In color we distinguish hue from brightness , as in extension we distinguish breadth from length . No color is presented concretely without extension . No presented visual surface lacks two spatial dimensions , as no physical object ...
Pagina 96
And we must remember that in being periods of time they are not spatial lengths . Their sort of length is a longer or shorter duration , not a spatial distance . The danger is that language may confuse us on the point .
And we must remember that in being periods of time they are not spatial lengths . Their sort of length is a longer or shorter duration , not a spatial distance . The danger is that language may confuse us on the point .
Pagina 98
In other words , since it is not the absolute lengths of time involved , their length , that is , in terms of the units of time of our established clocks , it must be their relative lengths , the temporal relations of these lengths to ...
In other words , since it is not the absolute lengths of time involved , their length , that is , in terms of the units of time of our established clocks , it must be their relative lengths , the temporal relations of these lengths to ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface syllables systematic taken temporal pattern things tion Tonic variations various verse vibration whole