Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 39
Pagina 48
... less alike , more or less contrasting . But just as there is no clear , complete order in them directly apprehended by us , which is intrinsic to their nature as pitch order is to the nature of sounds , so in composition with them we ...
... less alike , more or less contrasting . But just as there is no clear , complete order in them directly apprehended by us , which is intrinsic to their nature as pitch order is to the nature of sounds , so in composition with them we ...
Pagina 143
... less interesting to us , hence more or less objectionable or acceptable , liked or disliked . That is to say , the response to it is to some degree emotional . As our response is integral to the process conditioning the world's ...
... less interesting to us , hence more or less objectionable or acceptable , liked or disliked . That is to say , the response to it is to some degree emotional . As our response is integral to the process conditioning the world's ...
Pagina 189
... less irrelevant feelings in the presence of these works , and then pass on , on the strength of this , to judgments of their relative value , not only do they express conflicting feeling and judgment , but the conflicts that they ...
... less irrelevant feelings in the presence of these works , and then pass on , on the strength of this , to judgments of their relative value , not only do they express conflicting feeling and judgment , but the conflicts that they ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate ęsthetic analysis ęsthetic content ęsthetic objects ęsthetic surface ęsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words