Esthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 38
Pagina 48
As our systematic knowledge of smells and tastes grows , we can discern order in them , and even without this they themselves furnish ęsthetic content as elements more or less alike , more or less contrasting .
As our systematic knowledge of smells and tastes grows , we can discern order in them , and even without this they themselves furnish ęsthetic content as elements more or less alike , more or less contrasting .
Pagina 143
The world in all its actually presented concrete character , on the other hand , is more or less interesting to us , hence more or less objectionable or acceptable , liked or disliked . That is to say , the response to it is to some ...
The world in all its actually presented concrete character , on the other hand , is more or less interesting to us , hence more or less objectionable or acceptable , liked or disliked . That is to say , the response to it is to some ...
Pagina 189
Rad put their attention not on apprehending what is before them in works of art , but on expressing their more or less irrelevant feelings in the presence of these works , and then pass on , on the strength of this , to judgments of ...
Rad put their attention not on apprehending what is before them in works of art , but on expressing their more or less irrelevant feelings in the presence of these works , and then pass on , on the strength of this , to judgments of ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface syllables systematic taken temporal pattern things tion Tonic variations various verse vibration whole