Esthetic Analysis |
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Risultati 1-3 di 17
Pagina 23
Their main virtue is , I think , to indicate that analysis and abstraction are confined always to fields limited by the very abstractions that constitute their foundations . We cannot know everything at once from every conceivable point ...
Their main virtue is , I think , to indicate that analysis and abstraction are confined always to fields limited by the very abstractions that constitute their foundations . We cannot know everything at once from every conceivable point ...
Pagina 32
For most of the objections to analysis in a given field amount to saying that analysis is limited to its own particular results , as if somehow it ought not to be so limited . The objection arises largely from not realizing either just ...
For most of the objections to analysis in a given field amount to saying that analysis is limited to its own particular results , as if somehow it ought not to be so limited . The objection arises largely from not realizing either just ...
Pagina 59
The possibilities for structure are thus infinite ; and the arts have selected out of these infinite possibilities a relatively limited number of determinate modes or fundamental patterns on the basis of which works of art have been ...
The possibilities for structure are thus infinite ; and the arts have selected out of these infinite possibilities a relatively limited number of determinate modes or fundamental patterns on the basis of which works of art have been ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface syllables systematic taken temporal pattern things tion Tonic variations various verse vibration whole