Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 17
Pagina 99
... mark the beginning and the end of one single interval . The pattern is laid upon the continuum and felt as patterning it all , until some further sign comes to mark a new and different division , or until attention flags or is ...
... mark the beginning and the end of one single interval . The pattern is laid upon the continuum and felt as patterning it all , until some further sign comes to mark a new and different division , or until attention flags or is ...
Pagina 102
... marks off the recurrent interval along the single dimension of time and allows us to grasp time as divided into a number ... mark the end of a duration already de- fined in our minds , or at any rate in our nervous mechanism of response ...
... marks off the recurrent interval along the single dimension of time and allows us to grasp time as divided into a number ... mark the end of a duration already de- fined in our minds , or at any rate in our nervous mechanism of response ...
Pagina 157
... mark , say , its dilapidation . Some of these formal details we must have apprehended in it , how- ever , if we ... marks that lead us to think dilapidation , or the word di- lapidation , as we already know these , and not at all to ap ...
... mark , say , its dilapidation . Some of these formal details we must have apprehended in it , how- ever , if we ... marks that lead us to think dilapidation , or the word di- lapidation , as we already know these , and not at all to ap ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words