Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 41
Pagina 1
... matter that we are studying . Thus it is only an obvious condition of any study to a purpose that some so - called rationalization will label it conveniently . Later it may be more pertinently described in other terms ; as the- ology ...
... matter that we are studying . Thus it is only an obvious condition of any study to a purpose that some so - called rationalization will label it conveniently . Later it may be more pertinently described in other terms ; as the- ology ...
Pagina 43
... matter of common sense distinctions , partly a matter of the conventional definitions of the sciences . For example , sound has been analysed by physics . The rele- vance of certain aspects of this analysis to musical sound is familiar ...
... matter of common sense distinctions , partly a matter of the conventional definitions of the sciences . For example , sound has been analysed by physics . The rele- vance of certain aspects of this analysis to musical sound is familiar ...
Pagina 168
... matter of fact statement . A solemn , honest mind may be totally at a loss to see what the point of the words and sentences he reads can be , when these express an attitude towards subject matter foreign to his matter of fact naïveté ...
... matter of fact statement . A solemn , honest mind may be totally at a loss to see what the point of the words and sentences he reads can be , when these express an attitude towards subject matter foreign to his matter of fact naïveté ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words