Esthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 51
Pagina 101
Nor have we apparently any further specified divisions of a measure , or groupings of measures , dictated by nature . In this our time scale is more like color . scales , where direction is clear but units of distance along dimensions ...
Nor have we apparently any further specified divisions of a measure , or groupings of measures , dictated by nature . In this our time scale is more like color . scales , where direction is clear but units of distance along dimensions ...
Pagina 108
Some particular measure must be indicated and some subdivision of it , not merely by the notation but to the ear . But we have already seen that the particular rate of the measures of verse , the particular duration of its fundamental ...
Some particular measure must be indicated and some subdivision of it , not merely by the notation but to the ear . But we have already seen that the particular rate of the measures of verse , the particular duration of its fundamental ...
Pagina 125
What else metre could serve to measure if not rhythmical units , one would be at a loss to know ; though it is ... either the metre were the measure of nothing at all , or what it measured were not an aspect of the rhythm of the verse .
What else metre could serve to measure if not rhythmical units , one would be at a loss to know ; though it is ... either the metre were the measure of nothing at all , or what it measured were not an aspect of the rhythm of the verse .
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Parole e frasi comuni
abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface syllables systematic taken temporal pattern things tion Tonic variations various verse vibration whole