Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 48
Pagina 101
... measure ( like the octave in pitch ) rather than another . Nor have we apparently any further specified divisions of a measure , or groupings of measures , dictated by nature . In this our time scale is more like color scales , where ...
... measure ( like the octave in pitch ) rather than another . Nor have we apparently any further specified divisions of a measure , or groupings of measures , dictated by nature . In this our time scale is more like color scales , where ...
Pagina 108
... measure with a pattern of subdivision . Some particular measure must be indicated and some subdivision of it , not merely by the notation but to the ear . But we have already seen that the particular rate of the measures of verse , the ...
... measure with a pattern of subdivision . Some particular measure must be indicated and some subdivision of it , not merely by the notation but to the ear . But we have already seen that the particular rate of the measures of verse , the ...
Pagina 125
... measure of rhythmical pattern . What else metre could serve to measure if not rhythmical units , one would be at a loss to know ; though it is constantly urged that metre and rhythm are quite distinct , as if either the metre were the ...
... measure of rhythmical pattern . What else metre could serve to measure if not rhythmical units , one would be at a loss to know ; though it is constantly urged that metre and rhythm are quite distinct , as if either the metre were the ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate ęsthetic analysis ęsthetic content ęsthetic objects ęsthetic surface ęsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words