Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 16
Pagina 14
... melody , for example , is different from a series of rates . If the melody is heard as a whole - clearly appre- hended , that is , as some one determinate thing - it is to be expected that this heard melodic structure will depend for ...
... melody , for example , is different from a series of rates . If the melody is heard as a whole - clearly appre- hended , that is , as some one determinate thing - it is to be expected that this heard melodic structure will depend for ...
Pagina 17
David Wight Prall. Any melody is an example of the dependence of struc- ture upon native qualitative order in ... melodic structure , of course . But that it is one important aspect of it is fairly obvious . Say that we have a series of a ...
David Wight Prall. Any melody is an example of the dependence of struc- ture upon native qualitative order in ... melodic structure , of course . But that it is one important aspect of it is fairly obvious . Say that we have a series of a ...
Pagina 48
... melody ; and if we did , it must be granted that this would be a melody lacking the distinctive character that melodies in the more usual application of the word are defined by . Sounds then do not merely vary ; they vary sys ...
... melody ; and if we did , it must be granted that this would be a melody lacking the distinctive character that melodies in the more usual application of the word are defined by . Sounds then do not merely vary ; they vary sys ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words