Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 64
Pagina 62
... merely ab- stract and logical is only to repeat that they are intelligible , that they are capable of embracing such determinateness as all actual knowledge must have in its objects to make them into objects for it at all , and not merely ...
... merely ab- stract and logical is only to repeat that they are intelligible , that they are capable of embracing such determinateness as all actual knowledge must have in its objects to make them into objects for it at all , and not merely ...
Pagina 146
... merely sensuous than have artists and critics in their efforts to uphold the cause of the arts on the ground of their essen- tial spirituality . One might gather from what they say that the reality of art is not sensuous content at all ...
... merely sensuous than have artists and critics in their efforts to uphold the cause of the arts on the ground of their essen- tial spirituality . One might gather from what they say that the reality of art is not sensuous content at all ...
Pagina 193
... merely distortion , instead of feeling them as ascetic and in some of his portraits as aristocratic , or as expressive of saintly ecstatic emaciation or intense religious striving or straining , or as whatever more specific and concrete ...
... merely distortion , instead of feeling them as ascetic and in some of his portraits as aristocratic , or as expressive of saintly ecstatic emaciation or intense religious striving or straining , or as whatever more specific and concrete ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate ęsthetic analysis ęsthetic content ęsthetic objects ęsthetic surface ęsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words