Esthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 46
Pagina 39
But if we are to deal with sounds in music , whether to compose or merely to hear a simple melody , we must grasp pitch relations . The grasp of them at the minimum appears perception , not conceptual understanding .
But if we are to deal with sounds in music , whether to compose or merely to hear a simple melody , we must grasp pitch relations . The grasp of them at the minimum appears perception , not conceptual understanding .
Pagina 62
To say that such schemes are merely abstract and logical is only to repeat that they are intelligible , that they are capable of embracing such determinateness as all actual knowledge must have in its objects to make them into objects ...
To say that such schemes are merely abstract and logical is only to repeat that they are intelligible , that they are capable of embracing such determinateness as all actual knowledge must have in its objects to make them into objects ...
Pagina 193
To feel the abnormally long bodies and faces of El า Greco as merely distortion , instead of feeling them as ascetic and in some of his portraits as aristocratic , or as expressive of saintly ecstatic emaciation or intense religious ...
To feel the abnormally long bodies and faces of El า Greco as merely distortion , instead of feeling them as ascetic and in some of his portraits as aristocratic , or as expressive of saintly ecstatic emaciation or intense religious ...
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Parole e frasi comuni
abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface syllables systematic taken temporal pattern things tion Tonic variations various verse vibration whole