Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 24
Pagina 63
... musical scale . What has selected the intervals that constitute this scale is the way in which sound is physically produced . Sounds with clear pitch occur when bodies like strings or columns of air vibrate at certain rates . Any ...
... musical scale . What has selected the intervals that constitute this scale is the way in which sound is physically produced . Sounds with clear pitch occur when bodies like strings or columns of air vibrate at certain rates . Any ...
Pagina 83
... musical scale , it is safe enough to go on to basic patterns in the more regularly recognized kinds of intelligible form . For general æsthetic theory we must limit ourselves here . We can- not in any brief account , even if ...
... musical scale , it is safe enough to go on to basic patterns in the more regularly recognized kinds of intelligible form . For general æsthetic theory we must limit ourselves here . We can- not in any brief account , even if ...
Pagina 93
... musical scale . Spatial order and basic spatial patterns have been pretty fully recognized and used in analysis , though their fundamental nature has never been specifically worked out , so far as I know , with any degree of adequacy to ...
... musical scale . Spatial order and basic spatial patterns have been pretty fully recognized and used in analysis , though their fundamental nature has never been specifically worked out , so far as I know , with any degree of adequacy to ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words