Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 38
Pagina 69
... notes are related as at given pitch distances in the actual sound of the Tonic . If we now add the fifth , fourth ... notes of the scale . These are the notes related in pitch to the Dominant and Subdominant respectively as the Domi ...
... notes are related as at given pitch distances in the actual sound of the Tonic . If we now add the fifth , fourth ... notes of the scale . These are the notes related in pitch to the Dominant and Subdominant respectively as the Domi ...
Pagina 70
... note to which the rest of the scale notes , re , la , and si , are related through the Dominant and the Subdominant . way Another in which these intervals may be seen as selected by natural conditions is by calculating a priori in terms ...
... note to which the rest of the scale notes , re , la , and si , are related through the Dominant and the Subdominant . way Another in which these intervals may be seen as selected by natural conditions is by calculating a priori in terms ...
Pagina 107
... note half the time of a whole - note , a quarter - note half of a half - note , and so on ) , a on ) , a quick measure is often indicated by writing a time signature as so many sixteenth - notes , or so many eighth - notes , to the ...
... note half the time of a whole - note , a quarter - note half of a half - note , and so on ) , a on ) , a quick measure is often indicated by writing a time signature as so many sixteenth - notes , or so many eighth - notes , to the ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words