Esthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 38
Pagina 69
note that we choose and call our Tonic , we have now found the notes related to it as its Dominant , its Subdominant , and its Mediant , and defining the intervals named fifth , fourth , and third . We have also made out the sense in ...
note that we choose and call our Tonic , we have now found the notes related to it as its Dominant , its Subdominant , and its Mediant , and defining the intervals named fifth , fourth , and third . We have also made out the sense in ...
Pagina 70
It is the note to which the Octave , the Dominant , the Subdominant , and the Mediant are directly related by the ... And it is the note to which the rest of the scale notes , re , la , and si , are related through the Dominant and the ...
It is the note to which the Octave , the Dominant , the Subdominant , and the Mediant are directly related by the ... And it is the note to which the rest of the scale notes , re , la , and si , are related through the Dominant and the ...
Pagina 107
In musical notation , where the indicated divisions of time are relative ( a half - note half the time of a whole - note ... a quick measure is often indicated by writing a time signature as so many sixteenth - notes , or so many eighth ...
In musical notation , where the indicated divisions of time are relative ( a half - note half the time of a whole - note ... a quick measure is often indicated by writing a time signature as so many sixteenth - notes , or so many eighth ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface syllables systematic taken temporal pattern things tion Tonic variations various verse vibration whole