Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 45
Pagina 20
... object , or remembered or imagined content not unambiguously de- terminate in the object . What is given to full , unwander- ing , vital response , without penetration through and be- yond the qualitative felt presence defined by the object ...
... object , or remembered or imagined content not unambiguously de- terminate in the object . What is given to full , unwander- ing , vital response , without penetration through and be- yond the qualitative felt presence defined by the object ...
Pagina 35
... object of our attention ; these are abstracted from the rest of it . Moreover , there are dis- tinguishable aspects of objects which cannot be concretely presented alone . What we call concrete objects are after all themselves of this ...
... object of our attention ; these are abstracted from the rest of it . Moreover , there are dis- tinguishable aspects of objects which cannot be concretely presented alone . What we call concrete objects are after all themselves of this ...
Pagina 154
... objects , towards objects , of ob- jects . While all that is needed to constitute an æsthetic object is qualitative presence , no æsthetic object of any ab- sorbing interest can be less than complex , while it must also be sufficiently ...
... objects , towards objects , of ob- jects . While all that is needed to constitute an æsthetic object is qualitative presence , no æsthetic object of any ab- sorbing interest can be less than complex , while it must also be sufficiently ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words