Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 38
Pagina 17
... once and once only in this one serial range , that accounts for the most characteristic feature of the patterns that we call melodies . And any one who fails to distinguish the basic relation , higher - in - pitch - THE FIELD OF ÆSTHETICS ...
... once and once only in this one serial range , that accounts for the most characteristic feature of the patterns that we call melodies . And any one who fails to distinguish the basic relation , higher - in - pitch - THE FIELD OF ÆSTHETICS ...
Pagina 24
... once and seeing and under- standing everything from every possible point of view , so that one's object is literally everything in all of its aspects and all its relations , would apparently involve being com- pletely identical with ...
... once and seeing and under- standing everything from every possible point of view , so that one's object is literally everything in all of its aspects and all its relations , would apparently involve being com- pletely identical with ...
Pagina 42
... once as intelligible , recog- nize them at all , that is , were we not already familiar with these structural possibilities in the relations intrinsic to the elements . We have already illustrated this in pointing out the condition ...
... once as intelligible , recog- nize them at all , that is , were we not already familiar with these structural possibilities in the relations intrinsic to the elements . We have already illustrated this in pointing out the condition ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words