Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 15
Pagina 11
... organism in nature , interacting within natural process , that is to say an unanesthetized human being , is one of the conditions without which we never find æsthetic data at all . And an organism isolated totally from external physical ...
... organism in nature , interacting within natural process , that is to say an unanesthetized human being , is one of the conditions without which we never find æsthetic data at all . And an organism isolated totally from external physical ...
Pagina 143
... organism in nature , the sense in which an emotionally satisfying or offensive or offensive presentation has its specific affective tone is just as determinately factual as anything could possibly be . To call it subjective in any ...
... organism in nature , the sense in which an emotionally satisfying or offensive or offensive presentation has its specific affective tone is just as determinately factual as anything could possibly be . To call it subjective in any ...
Pagina 150
... organism as conscious . The physical organism actively functioning as a whole , and functioning at the same time consciously , is likely to be a cheerful spirit . Discourage- ment is complete only in suicide or at the conclusion of ...
... organism as conscious . The physical organism actively functioning as a whole , and functioning at the same time consciously , is likely to be a cheerful spirit . Discourage- ment is complete only in suicide or at the conclusion of ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words