Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 49
Pagina 39
... particular case depends upon a readiness to discriminate sensuous details . What we need then is a systematic scheme that will put us in a position to grasp these details in particular cases and as constituting particular æsthetic ...
... particular case depends upon a readiness to discriminate sensuous details . What we need then is a systematic scheme that will put us in a position to grasp these details in particular cases and as constituting particular æsthetic ...
Pagina 57
... particular pitches and of particular durations and in particular successions that we call hear- ing music . And it is only by abstracting from the in- finite , unintelligible , impinging world of nature what our attention can take in as ...
... particular pitches and of particular durations and in particular successions that we call hear- ing music . And it is only by abstracting from the in- finite , unintelligible , impinging world of nature what our attention can take in as ...
Pagina 108
... particular measure must be indicated and some subdivision of it , not merely by the notation but to the ear . But we have already seen that the particular rate of the measures of verse , the particular duration of its funda- mental ...
... particular measure must be indicated and some subdivision of it , not merely by the notation but to the ear . But we have already seen that the particular rate of the measures of verse , the particular duration of its funda- mental ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words