Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 86
Pagina 90
David Wight Prall. this norm . For all of us a familiar pattern of the body grows up in our minds and imaginations ; and it is only in relation to this pattern that there could possibly be any definite meaning in any descriptive term ...
David Wight Prall. this norm . For all of us a familiar pattern of the body grows up in our minds and imaginations ; and it is only in relation to this pattern that there could possibly be any definite meaning in any descriptive term ...
Pagina 119
... pattern of verse with which we are concerned , in terms of the time signature , the indication of the tempo , the traditional interpretation , or the felt ... pattern , however mechanically inexact , or else not an TEMPORAL PATTERNS 119.
... pattern of verse with which we are concerned , in terms of the time signature , the indication of the tempo , the traditional interpretation , or the felt ... pattern , however mechanically inexact , or else not an TEMPORAL PATTERNS 119.
Pagina 121
... pattern of music heard but its more prominent aspects in pitch and loudness , thus missing its basic temporal structure alto- gether . Such a beating of time as is required does not , however , go below the threshold of felt æsthetic ...
... pattern of music heard but its more prominent aspects in pitch and loudness , thus missing its basic temporal structure alto- gether . Such a beating of time as is required does not , however , go below the threshold of felt æsthetic ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words