AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 88
Pagina 103
pattern . For of phatically characteristic of our concrete experience of that
necessity the grasp of the pattern varies in definiteness and adequacy with the
degree of attention to the precise falling of the point of division on the single line
of ...
pattern . For of phatically characteristic of our concrete experience of that
necessity the grasp of the pattern varies in definiteness and adequacy with the
degree of attention to the precise falling of the point of division on the single line
of ...
Pagina 119
... temporal pattern in the first place , in the ways suggested above . And primarily
it is because ästhetic temporal structure is necessarily a directly apprehended
pattern , however mechanically inexact , or else not an TEMPORAL PATTERNS
119.
... temporal pattern in the first place , in the ways suggested above . And primarily
it is because ästhetic temporal structure is necessarily a directly apprehended
pattern , however mechanically inexact , or else not an TEMPORAL PATTERNS
119.
Pagina 126
one lines of poetry , the fact is taken into account that once a temporal pattern has
been clearly defined to sense , only strikingly displaced accent prevents its being
discerned as continuing in the form established . Typically trochaic verse , so ...
one lines of poetry , the fact is taken into account that once a temporal pattern has
been clearly defined to sense , only strikingly displaced accent prevents its being
discerned as continuing in the form established . Typically trochaic verse , so ...
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Parole e frasi comuni
abstract accent actual adequate æsthetic analysis appears apply apprehended artists aspects attention basic become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface syllables systematic taken temporal pattern things tion Tonic variations various verse vibration whole