Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 37
Pagina 11
... physical influences would not only not have differentiated experienced content present to it ; it would simply die . An isolated living organism is at most an incomplete image or an indeterminate conception . For organic life consists ...
... physical influences would not only not have differentiated experienced content present to it ; it would simply die . An isolated living organism is at most an incomplete image or an indeterminate conception . For organic life consists ...
Pagina 33
... physical object or to the concrete quality had in an experience , the nature of that object and of that qualitative presence remain what they were , even though we may , with new light on them , change our names for them . The strongest ...
... physical object or to the concrete quality had in an experience , the nature of that object and of that qualitative presence remain what they were , even though we may , with new light on them , change our names for them . The strongest ...
Pagina 150
... physical body as it is a state of mind , our mind being our organism as conscious . The physical organism actively functioning as a whole , and functioning at the same time consciously , is likely to be a cheerful spirit . Discourage ...
... physical body as it is a state of mind , our mind being our organism as conscious . The physical organism actively functioning as a whole , and functioning at the same time consciously , is likely to be a cheerful spirit . Discourage ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words