Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 33
Pagina 74
... pitches marking the intervals of our scale . If is do , % is re , 4 mi , and so through the eight degrees . And the 1 % was for a long time , as we noted above , an equally acceptable alternative to 15 % , which establishes the interval ...
... pitches marking the intervals of our scale . If is do , % is re , 4 mi , and so through the eight degrees . And the 1 % was for a long time , as we noted above , an equally acceptable alternative to 15 % , which establishes the interval ...
Pagina 75
... intervals exclusively would serve the pur- poses of melody and hence of harmony ( any two notes at a given melodic ... pitch intervals , because pitches defining these intervals , or distances apart in pitch , and making up the sound of ...
... intervals exclusively would serve the pur- poses of melody and hence of harmony ( any two notes at a given melodic ... pitch intervals , because pitches defining these intervals , or distances apart in pitch , and making up the sound of ...
Pagina 111
... pitch is regu- larly a matter not only of distinct measured intervals but of the relations of intervals to one another in a system cen- tering on a key - note . It is a pattern of pitch which can be discovered as independent of rhythm ...
... pitch is regu- larly a matter not only of distinct measured intervals but of the relations of intervals to one another in a system cen- tering on a key - note . It is a pattern of pitch which can be discovered as independent of rhythm ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words