Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 26
Pagina 52
... pitch pattern is easily recognizable as an aspect of melodic structure and hence of music . But pictures are not so regularly or so readily apprehended as being color patterns . In fact , in much of what we think of under the term ...
... pitch pattern is easily recognizable as an aspect of melodic structure and hence of music . But pictures are not so regularly or so readily apprehended as being color patterns . In fact , in much of what we think of under the term ...
Pagina 111
... pitch is regu- larly a matter not only of distinct measured intervals but of the relations of intervals to one another in a system cen- tering on a key - note . It is a pattern of pitch which can be discovered as independent of rhythm ...
... pitch is regu- larly a matter not only of distinct measured intervals but of the relations of intervals to one another in a system cen- tering on a key - note . It is a pattern of pitch which can be discovered as independent of rhythm ...
Pagina 121
... pitch for ears , and so not a difference in æsthetic structure in pitch , so measures of irregularity in time pattern in units of small fractions of a second may occur as the record of a perfectly regular time measure in æsthetic ...
... pitch for ears , and so not a difference in æsthetic structure in pitch , so measures of irregularity in time pattern in units of small fractions of a second may occur as the record of a perfectly regular time measure in æsthetic ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words