Esthetic Analysis |
Dall'interno del libro
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Pagina 21
to a a point where such response is often appropriate always possible . That æsthetic response is for most of us on most occasions not possible is the great stumbling block . And this obstacle can be removed in one way and one way only ...
to a a point where such response is often appropriate always possible . That æsthetic response is for most of us on most occasions not possible is the great stumbling block . And this obstacle can be removed in one way and one way only ...
Pagina 134
poetry than would otherwise be possible . And this may serve incidentally to answer those opponents of analysis who feel less that our scheme is abstract and artificially complicated , than that its basis is so simple and obvious as to ...
poetry than would otherwise be possible . And this may serve incidentally to answer those opponents of analysis who feel less that our scheme is abstract and artificially complicated , than that its basis is so simple and obvious as to ...
Pagina 176
It is only by their like ways of functioning that communication is possible at all , and hence that science is a general possession . Æsthetics , like all other knowledge , makes its generalizations on the assumption that human ...
It is only by their like ways of functioning that communication is possible at all , and hence that science is a general possession . Æsthetics , like all other knowledge , makes its generalizations on the assumption that human ...
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abstract accent actual adequate æsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface syllables systematic taken temporal pattern things tion Tonic variations various verse vibration whole