Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 50
Pagina 9
... present to attention . Something qualitative is thus made out and raised from the stream of the indifferent and undifferen- tiated conscious or semi - conscious into what is distinguish- able as a qualitatively individualized object ...
... present to attention . Something qualitative is thus made out and raised from the stream of the indifferent and undifferen- tiated conscious or semi - conscious into what is distinguish- able as a qualitatively individualized object ...
Pagina 92
... present . The asthetic is what is present in the medium ap- prehended , and all that needs to be transparent is so much of the constituent structural relations and elements as will put us in a position to grasp the functioning of these ...
... present . The asthetic is what is present in the medium ap- prehended , and all that needs to be transparent is so much of the constituent structural relations and elements as will put us in a position to grasp the functioning of these ...
Pagina 151
... present at least in imagination to define it , is not love at all , but solely bodily disturbance accompanied by so - called mental or spiritual unrest . This unrest , however , is the vague , incomplete consciousness of the disordered ...
... present at least in imagination to define it , is not love at all , but solely bodily disturbance accompanied by so - called mental or spiritual unrest . This unrest , however , is the vague , incomplete consciousness of the disordered ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words