Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 62
Pagina 14
... qualitative structures are grasped as intelligible com- plexes , qualitative wholes may also be amenable to scien- tific treatment . There is no reason why we should be confined to the sorts of relations that mechanics has de- pended ...
... qualitative structures are grasped as intelligible com- plexes , qualitative wholes may also be amenable to scien- tific treatment . There is no reason why we should be confined to the sorts of relations that mechanics has de- pended ...
Pagina 83
... qualitative orders , and then of one selected qualitative pattern , viz . , the musical scale , it is safe enough to go on to basic patterns in the more regularly recognized kinds of intelligible form . For general æsthetic theory we ...
... qualitative orders , and then of one selected qualitative pattern , viz . , the musical scale , it is safe enough to go on to basic patterns in the more regularly recognized kinds of intelligible form . For general æsthetic theory we ...
Pagina 173
... qualitative mathematics . Its application to art is important and proportionately ex- tensive , because in art the qualitative has taken on marked intrinsic significance for human beings . The qualitative is of course also the starting ...
... qualitative mathematics . Its application to art is important and proportionately ex- tensive , because in art the qualitative has taken on marked intrinsic significance for human beings . The qualitative is of course also the starting ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words