Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 65
Pagina 14
... relations , but any sort of systematic structure , the nature of which is capable of being discriminated as a complex of relations among elements . If , then , qualities have relations , and if these are systematic relations through ...
... relations , but any sort of systematic structure , the nature of which is capable of being discriminated as a complex of relations among elements . If , then , qualities have relations , and if these are systematic relations through ...
Pagina 15
... relations as are in- dependent of the spatio - temporal and mathematical rela- tions of the natural sciences . To show that one kind of relation is independent of an- other , all that we need do is exhibit variation in a pattern ...
... relations as are in- dependent of the spatio - temporal and mathematical rela- tions of the natural sciences . To show that one kind of relation is independent of an- other , all that we need do is exhibit variation in a pattern ...
Pagina 137
... relations in the series , and , as concretely exhibited , becomes necessarily and for direct apprehension a ... relations as constituents of the plane that it is in , which is made up of such relations . The relations exhibited by the ...
... relations in the series , and , as concretely exhibited , becomes necessarily and for direct apprehension a ... relations as constituents of the plane that it is in , which is made up of such relations . The relations exhibited by the ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words