Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 46
Pagina 37
... relevant . Thus all analysis runs risks . Gaining knowledge is an experimental venture , not a dream , nor a logical demon- stration . And if we are to get knowledge in the field that we have suggested as that of æsthetics , we shall ...
... relevant . Thus all analysis runs risks . Gaining knowledge is an experimental venture , not a dream , nor a logical demon- stration . And if we are to get knowledge in the field that we have suggested as that of æsthetics , we shall ...
Pagina 142
... relevant to a purpose or interest of his or of our own . We wish to give directions , or to record an experience as bearing upon a matter of common concern , to communicate this piece of information to guide plans of action or to ...
... relevant to a purpose or interest of his or of our own . We wish to give directions , or to record an experience as bearing upon a matter of common concern , to communicate this piece of information to guide plans of action or to ...
Pagina 175
... relevant and full knowledge of art in general , and of individual works of art in particular , is æsthetic analysis ... relevance to the specific work in question , only if the conditioning discriminatory processes of the organism are ...
... relevant and full knowledge of art in general , and of individual works of art in particular , is æsthetic analysis ... relevance to the specific work in question , only if the conditioning discriminatory processes of the organism are ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words