Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 23
Pagina 20
... response , without penetration through and be- yond the qualitative felt presence defined by the object , is exactly the æsthetic aspect of the world at the moment . What penetrates and goes beyond is non - æsthetic . But most response ...
... response , without penetration through and be- yond the qualitative felt presence defined by the object , is exactly the æsthetic aspect of the world at the moment . What penetrates and goes beyond is non - æsthetic . But most response ...
Pagina 147
... response to what is directly given ( though given only condition that there is the specific response as one of its conditions ) . Response is of the whole organism unanæs- thetized , whether it is to be called spirit or body using its ...
... response to what is directly given ( though given only condition that there is the specific response as one of its conditions ) . Response is of the whole organism unanæs- thetized , whether it is to be called spirit or body using its ...
Pagina 176
... response are not totally various , but largely alike . Since the one test of communication is response , since response is affective as well as intellectual , affective content in any given case must be for all men sufficiently ...
... response are not totally various , but largely alike . Since the one test of communication is response , since response is affective as well as intellectual , affective content in any given case must be for all men sufficiently ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words