Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 35
Pagina 66
... scale pattern . The scale will thus be a pattern in pitch established by pitch intervals . The pattern runs through one octave and is repeated in every other octave . Instead of one long line of pitches , we have a single short sequence ...
... scale pattern . The scale will thus be a pattern in pitch established by pitch intervals . The pattern runs through one octave and is repeated in every other octave . Instead of one long line of pitches , we have a single short sequence ...
Pagina 69
... scale . These are the notes related in pitch to the Dominant and Subdominant respectively as the Domi- nant , the ... scale ) , the Subdominant is C ( our do over again ) , and the Mediant B ( the si or ti of our scale ) . Of F , the ...
... scale . These are the notes related in pitch to the Dominant and Subdominant respectively as the Domi- nant , the ... scale ) , the Subdominant is C ( our do over again ) , and the Mediant B ( the si or ti of our scale ) . Of F , the ...
Pagina 77
... scale - order , became ap- plicable . Thus it is a series of abstract elements that we have found as the scale , along an abstract continuum of one dimension . And of course these elements remain also in the order intrinsic to that ...
... scale - order , became ap- plicable . Thus it is a series of abstract elements that we have found as the scale , along an abstract continuum of one dimension . And of course these elements remain also in the order intrinsic to that ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words